21 October 2007

Accordion Crazy

Posted by Lady Artisan under: General Bookbinding .

medievalreliefcloseupm.jpgI volunteered to teach our local polymer clay guild how to make accordion books with relief work on the front cover. Had to make samples so I had fun coming up with four different samples, two were very easy, one was pretty easy, and the fourth was rather detailed. The sculpting, of course, takes the longest time, although tearing the paper can be an interesting challenge in mathematics sometimes.

I started by amusing myself with a pun. Knowing that I would be teaching them some simple bas relief, I started thinking about sheep. Which got me to thinking about incorporating sheep into some designs and calling them my Baa Relief Series (I’ve posted three of them in my Etsy shop and one has sold so far).

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My first one was a simple sheep design in color. Green background  textured to look somewhat like grass. A white, fluffy sheep with black head and black legs. I called it “Study in Green” just to sound pretentious.  I used a thick yellow paper for the text block.

My second Baa Relief book was slightly more ambitious and reverts to my usual love of ancient designs. This one was based on Egyptian relief found in their temples and pyramids. I took an Egyptian figure and drew a sheep in its place. Made my covers from ecru clay (one of my fave colors for the ancient, sandstone look) that I textured with sandpaper to look roughed up, added some arbitrary stamped heiroglyphs and then did the sculpted figure from my drawing. Sheepek, the Egyptian god of pastures and wool. This is the one that sold on Etsy. The text block is made from smooth mulberry paper in a luscious red color that contrasts wonderfully with the ecru/beige of the covers.

 

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The final Baa Relief I did was based on a Mayan full-figure number glyph for bak’tun. Iagain drew the design, replacing the figure of the man (representing the number 9) with a sheep. Renamed it Baa k’tun. I made some faux jade for the covers and used red acrylic paint to highlight it. Used a tan colored Lokta paper for the text block and made this particular accordion book extra long (to see how well it would work).

 

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This one doesn’t show up as well because of the intricacy of the design, but it probably took me the longest to make. Ah well…

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The final accordion book sample I made was what I call medieval style relief. Lots of geometric and swag shapes, some floral designs and then Swarovski crystals embedded all over the place for extra sparkle.  I used black batik paper for the text block on this one.

2 Comments so far...

Deb Says:

22 October 2007 at 2:33 pm.

Love the “Baa” series!

admin Says:

22 October 2007 at 3:51 pm.

Thanks, Deb! I like that series, too–it still makes me chuckle. Now, if I could just figure out how to post the pictures properly.

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Lady Artisan is Eva Buchala.

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